Four Cents: Rob & Ricki and Oscar, Part Four: Our Oscar Picks, Top Eight Categories

Ricki: It's become a tradition at the Cacchione household the last few years for us to host an (incredibly small) Oscar party.  That "party" consists of my lovely wife Debbie preparing a meal that involves bacon in some creative way (which I can't eat, since I can't digest meat protein) and our main movie friend Kyle coming over to watch the bloated nightmare that is the Oscar Awards broadcast from what seems like five in the afternoon 'til sometime past three o'clock the next morning.

The three of us fill out the entire Oscar ballot and point values are assigned to the various categories: i.e. tech categories are one point apiece; documentaries & animated maybe three points; writing cats five points; on up to 10 points apiece for the acting and best director & best picture picks.

Generally, by the time they get around to announcing Best Supporting Actress around midnight and people with jobs on Monday are already sleeping, I'm behind by so wide a margin that I start making up rules: like from then on, all the remaining categories are worth 50 points apiece.  The winner gets a prize, but none of us can remember what any of the prizes have ever been, so they can't be that great. 

So Rob and I are dispensing with all the down-the-line categories and concentrating on what we are terming The Big Eight: writing, acting, best director & best picture. 

Rob: I don’t watch the Oscars. I don’t like bloated pageantry. I have no dog in the fight, so I’m not missing anything. That’s not to say I’m not interested. I’ll check the results in the morning.

I have never entered an Oscars pool or had to predict the winners. Until now. What would we do if blogs didn't need content?

BEST PICTURE

Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land
Lion
Manchester by the Sea
Moonlight

Rob: Gotta begrudgingly pick La La Land. Hollywood loves Hollywood.  I’d like to be surprised by something else winning, but I don’t think I will be.

Ricki: Most of my picks are gonna be divided into What Should Win and What Will Win: What Should Win, Manchester By The Sea, by far the best movie I saw all year;  What Will Win, La La Land.   

BEST DIRECTING

Damien Chazelle (La La Land)
Mel Gibson (Hacksaw Ridge)
Barry Jenkins (Moonlight)
Kenneth Lonergan (Mancheaster by the Sea)
Denis Villeneuve (Arrival)

Rob: Again, La La Land. It can’t win Best Picture and not win Best Directing. However, it is worthy of directing honors over best in show. My off-ballot hopes are with Moonlight.

Ricki: Rob's probably right about Best Picture/Best Director being intertwined, as they are most years.  Who Should Win, Kenneth Lonergan.  Who Will Win, Damien Chazelle. 

BEST LEADING ACTRESS

Isabelle Huppert (Elle)
Ruth Negga (Loving)
Natalie Portman (Jackie)
Emma Stone (La La Land)
Meryl Streep (Florence Foster Jenkins)

Rob: Can we please agree that Meryl Streep is an excellent actress and not nominate her for anything for a while? The same goes for Pixar movies. Anomalisa should have won last year over Inside Out. Anyway, Isabelle Huppert for the win.

Ricki: I'm going with Emma Stone here, partly because I thought she was the best thing ABOUT La La Land, and partly because I truthfully didn't see any of the other performances.

BEST LEADING ACTOR

Casey Affleck (Manchester by the Sea)
Andrew Garfield (Hacksaw Ridge)
Ryan Gosling (La La Land)
Viggo Mortensen (Captain Fantastic)
Denzel Washington (Fences)

Rob: Denzel Washington. duh. If by some freak occurrence Ryan Gosling wins, I’m going to pretend it’s for The Nice Guys.

Ricki: I say Casey Affleck is going to pull this out. 

BEST SUPPORTING ACTRESS

Viola Davis (Fences)
Naomie Harris (Moonlight)
Nicole Kidman (Lion)
Octavia Spencer (Hidden Figures)
Michelle Williams (Manchester by the Sea)

Rob: Viola Davis. duh. And yet it can not be understated how much Michelle Williams crushed that one scene in Manchester by the Sea. You never would have guessed she was hardly in the movie before it.

Ricki: I didn't see Fences, so I'm pulling for Naomie Harris in a truly fearsome, ferocious performance in Moonlight.

BEST SUPPORTING ACTOR

Mahershala Ali (Moonlight)
Jeff Bridges (Hell or High Water)
Lucas Hedges (Manchester by the Sea)
Dev Patel (Lion)
Michael Shannon (Nocturnal Animals)

Rob: Mahershala Ali. Largely no contest. When isn’t Michael Shannon great? Maybe when he’s slightly overshadowed by his co-supporting actor Aaron Taylor-Johnson. Sill, with a Taylor-Johnson nomination instead, Ali would have taken it.

Ricki: I concur, Mahershala Ali.  (Hopefully John Travolta will NOT be called upon to present this award.)

BEST ORIGINAL SCREENPLAY

Hell or High Water
La La Land
The Lobster
Manchester by the Sea
20th Century Women

Rob: It’s between 20th Century Women and The Lobster. I’m giving the edge to The Lobster. Its world-building should be rewarded.

Ricki: Manchester By The Sea.

BEST ADAPTED SCREENPLAY

Arrival
Fences
Hidden Figures
Lion
Moonlight

Rob: I’m assuming none of the voters compared the original text with the adaptation: I mean, that would be the best way, right? Sure, but I’m not going to do that either. I’d like to pick Fences. The content is great. I don’t feel like it was adapted for the screen. It still had the rhythm, feel, and - at times - the staging of a play. Is it better to change the content for the medium or to let it stand as it is? In this case, the latter was chosen. I’m picking Arrival.

…well, maybe not. Arrival’s strength might be in the editing. Hidden Figures, while an amazing story, is presented in a very ordinary way. I didn’t see Lion. So, Moonlight for the win.

Ricki: Yeah, this is tough, since I don't know what any of these screenplays were adapted FROM.  (But none of them were comic books, naturally.)  I'd like to pick Moonlight, but I'm going to go with Hidden Figures, just because I enjoyed it so much, which is exactly the kind of from-the-heart-makes-no-logical-sense-pick that loses me our Oscar Ballot Pize every year.

In closing I want to thank the Pencilstorm readers for hanging in with us through all these blogs and I especially want to thank Rob for watching 366 movies in 2016, an accomplishment that should be hailed.

My easiest Oscar Prediction of the Year?  Jimmy Kimmel is gonna suck as the host. 

 

The Buggy Eyes and a Big Butt Oscar One-Sheet

The Academy Awards are less than a week away, and, as you might expect, some of the nominated movies were a part of Buggy Eyes and a Big Butt. You will find links to every part of the 366 movie challenge below. The top three movies of each part are noted as well as the Oscar nominated movies. (Hint: Most are near the end.)

Part One
top three: Capricorn One, Monte Walsh, The Station Agent

Part Two
top three: The Big Short, Busting, Laura

2017 Oscar nominee:
Hail, Caesar! (Production Design)

Part Three
top three: The Pawnbroker, Seven Days in May, The Witch

Part Four
top three: Rififi, Room, Whiskey Tango Foxtrot

Part Five
top three: Dogfight, Harold & Maude, Seven Samurai

Part Six
top three: The Invitation, Juggernaut, Wendy and Lucy

Part Se7en
top three: Green Room, Paper Moon, Too Late

Part Eight
top three: Captain America: Civil War, Cleo from 5 to 7, Remember

Part Nine
top three: Everest, Neighbors 2: Sorority Rising, The Nice Guys

Part Ten
top three: The Lobster, Popstar: Never Stop Never Stopping, The Secret in Their Eyes

2017 Oscar nominees:
The Lobster (Writing - original screenplay)
Zootopia (Animated Feature Film)

Part Eleven
top three: Calvary, The Children's Hour, The Fits

Part Twelve
top three: Hunt for the Wilderpeople, The Lady Vanishes, Swiss Army Man

2017 Oscar nominee:
Star Trek Beyond (Makeup and Hairstyling)

Part Thirteen
top three: Don't Breathe, Palio, Sing Street

2017 Oscar nominees:
Captain Fantastic (Leading Actor - Viggo Mortensen)
Hell or High Water (Best Picture, Supporting Actor - Jeff Bridges, Writing - original screenplay, Film Editing)
Suicide Squad (Makeup and Hairstyling)

Part Fourteen
top three: De Palma, The Last Picture Show, Metropolis

2017 Oscar nominee:
Kubo and the Two Strings (Animated Feature Film, Visual Effects)

Part Fifteen
top three:Army of One, A Band Called Death, Moonlight

2017 Oscar nominees:
Arrival (Best Picture, Directing, Writing - adapted screenplay, Cinematography, Editing, Production Design, Sound Editing, Sound Mixing)
Doctor Strange (Visual Effects)
Hacksaw Ridge (Best Picture, Directing, Leading Actor - Andrew Garfield, Film Editing, Sound Editing, Sound Mixing)
Moonlight (Best Picture, Directing, Supporting Actress - Naomie Harris, Supporting Actor - Mahershala Ali, Writing - adapted screenplay, Cinematography, Music - original score, Film Editing)

Part Sixteen
top three: After the Wedding, The Edge of Seventeen, Evolution

2017 Oscar nominees:
Allied (Costume Design)
Fantastic Beasts and Where to Find Them (Production Design, Costume Design)

Part Se7enteen
top three: Always Shine, Christine, The Eyes of My Mother

2017 Oscar nominees:
The Jungle Book (Visual Effects)
Nocturnal Animals (Supporting Actor - Michael Shannon)

Part Eighteen
top three: Black Christmas, Manchester by the Sea, Wild Tales

2017 Oscar nominees:
Fences (Best Picture, Leading Actor - Denzel Washington, Supporting Actress - Viola Davis, Writing - adapted screenplay),
Manchester by the Sea (Best Picture, Directing, Leading Actor - Casey Affleck, Supporting Actress - Michelle Williams, Supporting Actor - Lucas Hedges, Writing - original screenplay)
Rogue One (Visual Effects, Sound Mixing)

Here's hoping Van Hammersly will recount this year's Hollywood Awards.

The Gateway to Buggy Eyes and a Big Butt - by Rob Braithwaite

On average, a person sees five movies at the theater and 25 movies at home per year. In 2016 I saw 366.

I watch at least 150 movies a year without trying. “What’s another 216?” was the stupid thought that convinced me to watch a movie for every day of the year. Leap year! Why did it have to be a leap year?!

It was fun at first. Then it wasn’t. Then it was again. Then it wasn’t again.

This challenge gave me the opportunity to see movies I might have let languish in my queue. I mean, that’s where many were waiting in the first place. It forced me to try movies I might have dismissed. And it gave me a true appreciation of seeing a movie in a darkened theater where my full attention could be given to the screen. The experience was beneficial overall, but never again.

I know you, average moviegoer, won’t see a fraction of what I saw last year or even read everything I’ve written. However, I would like to highlight a few for you to consider when you are sitting at home or, better yet, inspire you to get out to your local theater. These highlights are listed alphabetically within their categories. They aren’t ranked because they are all worth watching.

Enjoy,  
- rob braithwaite.

ps: some of these movies are now streaming in various places: Amazon Prime [AP], Netflix streaming [NS] and Hulu [H]


THE GATEWAY FILM CENTER

The Gateway Film Center is a non-profit theater here in Columbus that brings movies that never would have been shown here otherwise. Here is a small sampling of the movies exclusively shown by GFC in 2016. We are lucky to have such a theater in town.

Christine
Eat That Question: Frank Zappa in His Own Words
The Fits [AP] This movie made me realize the importance of going to the theater. Had I watched this at home chances are my mind would have drifted and my hand would have reached for my tablet. That distraction would have had significant impact on my investment of the main character, causing me to miss out on one of the purest moments of joy I’ve ever seen in a movie.
Hunt for the Wilderpeople [H]
I Am Not a Serial Killer [NS]
In a Valley of Violence
Kicks
Shin Godzilla - GFC was the only theater in Ohio to screen this.
Too Late [NS] - This was filmed in 35MM and, per the director’s insistence, only projected in 35MM. Since most theaters have gone digital, there weren’t many places it could have been shown. Not only did GFC show the movie but also the accompanying short film. The short is not included with the streaming version. So, thank you, GFC.

The Gateway Film Center will spend 2017 screening 101 cult movies. You can see the full list here as well as the schedule.


WEXNER CENTER FOR THE ARTS

I didn’t go to The Wex often, but when I did it was certainly worth it. They screened the restored version of Metropolis as a live band provided the soundtrack. One month there was a retrospective of Kelly Reichardt’s movies. She was in attendance for the screening of her new movie, Certain Women, and participated in a Q&A afterwards. In February, The Wex will present a William Friedkin retrospective. Info here.


WOMEN IN FILM

Not long after I decided to spend the year watching 366 movies, I heard about a simple request from the Women in Film organization: “Will you watch a film a week by a woman for one year?”

The purpose of the request is to raise awareness of female directors. So, rather than listing the movie titles, here are ten women who made very good to great movies.

Anna Boden (w/Ryan Fleck): Mississippi Grind [AP], Sugar
Kelly Fremon Craig: The Edge of Seventeen
Clea DuVall: The Intervention [AP]
Lucile Hadzihalilovic: Evolution
Anna Rose Holmer: The Fits [AP]
Liza Johnson: Hateship Loveship [NS], Elvis & Nixon [AP]
Karyn Kusama: The Invitation [NS]
Kelly Reichardt: Wendy and Lucy, Night Moves [H], Meek’s Cutoff [NS], Certain Women
Sophia Takal: Always Shine
Agnés Varda: Cleo from 5 to 7


NICOLAS CAGE IN FILM

Nicolas Cage was in five movies this year.

Army of One (great)
Dog Eat Dog (decent) [NS]
Snowden (good) he’s hardly in it, but it’s worth it to see his “He did It!” scene. I’m not sure it was supposed to be as funny as I found it.
The Trust (really good) [NS]
USS Indianapolis: Men of Courage (garbage)


DOUBLE FEATURES

The most enjoyable part of writing about each movie was coming up with a good companion piece. Here are ten of my favorite double features.

Army of One / Zero Dark Thirty
The Bicycle Thieves / Pee-wee’s Big Adventure
Breathless / Miami Blues
Dogfight / Tigerland
A Field in England / Event Horizon
Hell or High Water / The Blues Brothers
The Satan Bug / 12 Monkeys
Spotlight / Shattered Glass
Sweet Smell of Success / L.A. Confidential
The Witch / Black Death


TOP DOCUMENTARIES

All Things Must Pass: The Rise and Fall of Tower Records [H]
A Band Called Death
De Palma [AP]
Eat That Question: Frank Zappa in His Own Words
Lambert & Stamp
Meru [AP]
Palio [NS]
Raiders!: The Story of the Greatest Fan Film Ever Made [NS]
Stories We Tell [AP, H]
Weiner


GIVE A HOOT. READ A MOVIE.

If English is the only language you know, then you’ll have to read along.

After the Wedding [NS]
The Ascent
The Club [AP]
Dogtooth
Evolution
Rififi
The Secret in Their Eyes
Shin Godzilla
The Wailing [NS]
The Wave [NS]


THE BEST OF 2016

It’s been a few weeks since I made this list. I knew then that I would feel differently now about what goes on it. I could replace all ten and still think it’s a good list. “Best” is relative and headache-inducing. Here are ten great movies released in 2016.

Arrival
Deadpool
Don’t Breathe
Evolution
The Eyes of My Mother
The Fits [AP]
Green Room [AP]
Hunt for the Wilderpeople [H]
The Lobster [AP]
The Witch [AP]


THE BEST OF PRE-2016

If I thought paring down movies from one year was rough, here comes the rest of the 366 to choose from. Again, these are all good. Why are you busting my balls?

Calvary
Capricorn One
The Children’s Hour
Dogfight
Juggernaut
The Last Picture Show
Laura [NS]
Monte Walsh
Paper Moon
The Pawnbroker


BETTER THAN I EXPECTED

Low expectations can come from many places. The trailer wasn’t good. Some movie I’ve never heard of is now available. I don’t like that writer/director. These ten movies proved they deserve more respect than I initially gave them.

The Big Short [NS]
Black Christmas
Blood Father
Busting
Eddie the Eagle
Elvis & Nixon [AP]
Masterminds
Money Monster
Seven Days on May
Wild Card [AP, H]


AVOID AT ALL COSTS

Remember when I said everything here was worth watching? There are exceptions to everything.

Approaching the Unknown
Bad Moms
Futureworld
Independence Day: Resurgence
Jack Reacher: Never Go Back
London Has Fallen
Now You See Me 2
USS Indianapolis: Men of Courage
X-Men: Apocalypse
Yoga Hosers


REPEATERS

One arbitrary rule I gave myself was that all 366 movies had to be new to me. Maybe that was a mistake considering how many I’d seen over the years. This would have been a little more fun if I were one of those average moviegoers. As it was, it felt like I was in the weeds sometimes.

What I missed most last year was being able to re-watch something, to watch an old favorite or something I hadn’t seen in a long time. 2017 will be spent getting back to the repeaters. Here are a few that came to mind last year that I was unable to watch.

Breaker Morant
Death Becomes Her
The Guard
MacGruber
Nighthawks
No Way Out
Remo WIlliams; The Adventure Begins
Runaway Train
Slam Dance
To Live and Die in L.A.


The End.

… or is it? I recently heard about another movie challenge where the movies are linked by the actors. Say you start with Taxi Driver. Your second movie could be anything, but it must share an actor with Taxi Driver. So, let’s say… Albert Books. Albert Brooks was also in Defending Your Life, which also stars Meryl Streep, who was in Postcards from the Edge. And so on. This challenge is only 100 movies. Totally doable.

 

coming up Thursday: Four Cents - Rob & Ricki and Oscar, Part One: Our Top 10 Movies 2016

Oscar Nominations Announced, and Pencilstorm Unveils New Feature: Four Cents, Rob & Ricki Talk About the 2017 Oscars

The Oscar Nominations were announced Tuesday, January 24th and Pencilstorm is proud to unveil its newest continuing feature: "Four Cents: Rob & Ricki Talk About the 2017 Oscars."  

The coverage will pair Pencilstorm Movie Critic At Large Rob Braithwaite (auteur of "Buggy Eyes & a Big Butt, 366 Movies in 366 Days") offering his usual cogent, concise, succinct thoughts on films; with Ricki C., who will likely hold forth with his usual procession of skewed observations, digressions & tirades, only this time about movies rather than rock & roll.  (If anybody doubts this, you haven't casually asked Ricki, "Hey, what'd you think of "Florence Foster Jenkins?" and twenty minutes later you're trying to figure out WHY Mr. C. is blathering about The New York Dolls' first album and how it relates to "Sophie's Choice.")

Anyway, "Four Cents" will debut next week, as soon as we can get Rob & Ricki into the Pencilstorm offices at the same time, or get them to exchange e-mail addresses.   Coverage will proceed right up until the Oscar telecast on Sunday, February 26th.

 

The Buggy Eyes and a Big Butt Index

Here is a list of the movies I watched in 2016. I will never do that again on a leap year.
- Rob Braithwaite

10 Cloverfield Lane (2016) ★ ★ ★ (#065)
13 Sins (2014) ★ ★ (#006)
The 33 (2015) ★ ★.5 (#090, Women in Film)

The Accountant (2016) ★ ★ ★.5 (#246)
The Accursed (1957) ★ ★ (#035)
The Adventure of Sherlock Holmes' Smarter Brother (1975) ★ ★ (#267)
The African Queen (1951) ★ ★ .5 (#316)
After the Wedding (2006) ★ ★ ★ ★ (#311, WIF)
Airport (1970) ★ ★ ★ .5 (#363)
All Things Must Pass: The Rise and Fall of Tower Records (2015) ★ ★ ★ (#135)
Allied (2016) ★ ★ (#313)
Always Shine (2016) ★ ★ ★ ★ (#329, WIF)
The American Friend (1977) ★ ★ ★.5 (#300)
The Americanization of Emily (1964) ★ ★ ★ (#008)
Anomalisa (2015) ★ ★ ★.5 (#028)
Approaching the Unknown (2016) ★ (#132)
Army of One (2016) ★ ★ ★ ★ (#282)
Arrival (2016) ★ ★ ★ ★ (#287)
The Ascent (1977) ★ ★ ★.5 (#105, WIF)
The Autopsy of Jane Doe (2016) ★ ★ ★ (#357)

Bad Moms (2016) ★ (#224)
A Band Called Death (2012) ★ ★ ★ ★ (#279)
The Bandit (2016) ★ ★ ★.5 (#205)
Batman v Superman: Dawn of Justice (2016) ★ ★.5 (#075)
The Beatles: Eight Days a Week - The Touring Years (2016) ★ ★ ★.5 (#229)
The Best Offer (2013) ★ ★ ★.5 (#328)
The Bicycle Thieves (1948) ★ ★ ★ ★ (#230)
Big Eyes (2014) ★ ★ (#122)
The Big Red One (1980) ★ ★ ★ (#103)
The Big Short (2015) ★ ★ ★ ★ (#018)
Bigger Than Life (1956) ★ ★ ★.5 (#194)
A Bigger Splash (2015) ★ ★.5 (#273)
The Birth of a Nation (2016) ★ ★ ★ (#243)
Black Christmas (1972) ★ ★ ★ ★ (#358)
Black Mass (2015) ★ ★ (#089)
Black Rock (2012) ★ ★ ★ (#062, WIF)
Black Sunday (1977) ★ ★ ★.5 (#097)
The Blob (1988) ★ ★ ★ (#289)
Blood Father (2016) ★ ★ ★.5 (#211)
Blue Jay (2016) ★ ★ ★ (#333)
Body Double (1984) ★.5 (#174)
The Boy (2016) ★ ★ (#128)
Breathless (1960) ★ ★ ★ (#107)
Bridge of Spies (2015) ★ ★ ★ ★ (#074)
The Bronze (2015) ★ ★ ★ (#212)
The Brothers Grimsby (2016) ★.5 (#066)
The Browning Version (1951) ★ ★ ★ (#109)
Burnt (2015) ★ ★ ★ (#136)
Busting (1974) ★ ★ ★ ★ (#022)

Calvary (2014) ★ ★ ★ ★ (#159)
Capricorn One (1978) ★ ★ ★ ★ (#005)
Captain America: Civil War (2016) ★ ★ ★ ★ (#110)
Captain Fantastic (2016) ★ ★.5 (#188)
Carnage Park (2016) ★ ★.5 (#269)
Cat Ballou (1965) ★.5 (#081)
Central Intelligence (2016) ★ ★ ★ (#310)
Certain Women (2016) ★ ★ ★.5 (#250, WIF)
Charley Varrick (1973) ★ ★ ★.5 (#045)
The Children’s Hour (1961) ★ ★ ★ ★ (#167)
Child’s Play (1973) ★ ★ ★.5 (#010)
Child's Play (1988) ★ ★ ★ (#257)
The China Syndrome (1979) ★ ★ ★ ★ (#148)
Christine (2016) ★ ★ ★ ★ (#337)
The City of Lost Children (1995) ★ ★ ★.5 (#362)
Cleo from 5 to 7 (1962) ★ ★ ★ ★ (#108, WIF)
Clifford (1994) ★ ★ (#301)
The Club (2015) ★ ★ ★ ★ (#203)
The Cocoanuts (1929) ★ ★ ★ (#352)
Compulsion (1959) ★ ★ ★.5 (#349)
The Conjuring 2 (2016) ★ ★ ★ (#231)
The Counterfeiters (2007) ★ ★ ★ ★ (#304)
Criminal (2016) ★ ★ ★ (#125)
Cronos (1993) ★ ★ ★ (#240)

Daddy's Home (2015) ★.5 (#178)
Dance, Girl, Dance (1940) ★ ★ ★.5 4 (#054, WIF)
Dark Passage (1947) ★ ★ (#129)
De Palma (2015) ★ ★ ★ ★ (#225)
Deadpoool (2016) ★ ★ ★ ★ (#034)
Dealin’ with Idiots (2013) ★ ★ (#111)
Dear Zachery: A Letter to a Son About His Father (2008) ★ ★ ★
Death Hunt (1981) ★ ★ ★ (#171)
The Death of “Superman Lives”: What Happened? (2015) ★ ★ ★ (#001)
Desperately Seeking Susan (1985) ★ ★ ★ (#366, WIF)
The Diary of a Teenage Girl (2015) ★ ★ ★.5 (#027, WIF)
Doctor Strange (2016) ★ ★ ★ ★ (#274)
Dog Eat Dog (2016) ★ ★.5 (#281)
Dogfight (1991) ★ ★ ★ ★ 5 (#067, WIF)
Dogtooth (2009) ★ ★ ★ ★ (#343)
Don't Breathe (2016) ★ ★ ★ ★ (#216)
Don’t Look Now (1973) ★ ★ ★.5 (#051)
Don't Think Twice (2016) ★ ★ ★ (#220)
Doomed: The Untold Story of Roger Corman's The Fantastic Four (2015) ★ ★ ★.5 (#270)
Dressed to Kill (1941) ★ ★ (131)
Dressed to Kill (1980) ★ ★ ★ (#121)
Drillbit Taylor (2008) ★ ★ ★ (#299)
The Driver (1978) ★ ★ ★ ★ (#094)

Eat That Question: Frank Zappa in His Own Words (2016) ★ ★ ★ ★ (#200)
Eddie the Eagle (2016) ★ ★ ★.5 (#153)
The Edge of Seventeen (2016) ★ ★ ★ ★ (#314, WIF)
Elvis & Nixon (2016) ★ ★ ★.5 (#215, WIF)
The Enemy Below (1957) ★ ★ ★.5 (#023)
Everest (2015) ★ ★ ★ ★ (#127)
Everybody Wants Some!! (2016) ★ ★ ★.5 (#087)
Evolution (2015) ★ ★ ★ ★ (#309, WIF)
Eye in the Sky (2015) ★ ★ ★ ★ (#170)
The Eyes of My Mother (2016) ★ ★ ★ ★ (#335)

The Family Fang (2015) ★ ★ ★ ★ (#113)
The Fan (1981) ★ ★.5 (#312)
Fantastic Beasts and Where to Find Them (2016) ★ ★ ★ (#302)
Faults (2014) ★ ★ ★.5 (#150)
Fences (2016) ★ ★ ★ ★ (#361)
A Field in England (2013) ★ ★ ★.5 (#347)
Figures in a Landscape (1970) ★ ★ (#079)
Finding Dory (2016) ★ ★ (#272)
The Finest Hours (2016) ★ ★ ★.5 (#227)
Fish Tank (2009) ★ ★ ★ (#321, WIF)
The Fits (2015) ★ ★ ★ ★ (#165, WIF)
For the Love of Spock (2016) ★ ★ ★ (#339)
Fort Tilden (2014) ★ ★ ★ (#261, WIF)
Frank & Lola (2016) ★ ★.5 (#336)
Freebie and the Bean (1974) ★ ★ (#166)
Frida (2002) ★ ★ ★.5 (#324, WIF)
The Frontier (2016) ★ ★.5 (#308)
The Future (2011) ★ ★.5 (#364, WIF)
Futureworld (1976) ★.5 (#043)

Gangster No. 1 (2000) ★ ★.5 (#350)
The Getaway (1972) ★ ★ (#085)
Ghostbusters (2016) ★ ★ ★ ★ (#182)
Gilda (1946) ★ ★ (#104)
Gimme Danger (2016) ★ ★.5 (#275)
The Girl on the Train (2016) ★ ★ ★.5 (#265)
A Girl Walks Home Alone at Night (2014) ★ ★ ★.5 (#359)
Girlfight (2000) ★ ★ ★ (#179, WIF)
The Good Neighbor (2016) ★ ★ ★.5 (#341)
Greased Lightning (1977) ★ ★ ★.5(#047)
The Great Alone (2015) ★ ★ ★ (#208)
Green Room (2015) ★ ★ ★ ★ (#100)

Hacksaw Ridge (2016) ★ ★ ★.5 (#285)
Hail, Caesar! (2016) ★ ★ ★ (#036)
The Handmaiden (2016) ★ ★.5 (#286)
Harold and Maude (1971) ★ ★ ★ ★ (#073)
The Hateful Eight (2015) ★ ★ ★ ★ (#002)
Hateship Loveship (2013) ★ ★ ★ (#288, WIF)
The Headless Woman (2008) ★ ★.5 (#162, WIF)
Hell in the Pacific (1968) ★ ★ ★ ★ (#118)
Hell or High Water (2016) ★ ★ ★.5 (#206)
Here Comes Mr. Jordan (1941) ★ ★ ★ (#195)
High-Rise (2015) ★ ★ ★ (#102)
The Hill (1965) ★ ★ ★ (#251)
The Hitch-Hiker (1953) ★ ★ ★ (#046, WIF)
Horse Feathers (1932) ★ ★ ★ (#353)
Hot Pursuit (2015) ★ ★ (#024, WIF)
Hotel Transylvania (2012) ★ ★.5 (#099)
The House Bunny (2008) ★.5 (#180)
The House of the Devil (2009) ★.5 (#254)
The House on Telegraph Hill (1951) ★ ★ ★ (#207)
Hunt for the Wilderpeople (2016) ★ ★ ★ ★ (#185)
Hush (2016) ★ ★ (#155)

I Am Not a Serial Killer (2016) ★ ★ ★ ★ (#221)
I Ought to Be in Pictures (1982) ★ ★ ★ (#141)
Imperium (2016) ★ ★ ★ (#214)
In a Lonely Place (1950) ★ ★ ★.5 (#115)
In a Valley of Violence (2016) ★ ★ ★.5 (#252)
In Order of Disappearance (2014) ★ ★ (#217)
Independence Day: Resurgence (2016) ★ (#163)
The Infiltrator (2016) ★ ★.5 (#345)
Infinitely Polar Bear (2015) ★ ★.5 (#030, WIF)
Insidious: Chapter 3 (2015) ★ ★ ★ (#291)
The Intern (2015) ★ ★ (#146, WIF)
The Intervention (2016) ★ ★ ★.5 (#271, WIF)
Into the Forest (2015) ★.5 (#189, WIF)
Intruders (2015) ★ ★ (#056)
The Invitation (2015) ★ ★ ★ ★ (#083, WIF)
Iris (2014) ★ ★ ★ (#365)
It Happened One Night (1934) ★ ★ ★ (#190)

Jack Reacher: Never Go Back (2016) ★ (#255)
Jack’s Back (1988) ★ ★ ★ (#161)
Jane Got a Gun (2016) ★ ★ (#213)
Jason Bourne (2016) ★ ★ (#191)
Juggernaut (1974) ★ ★ ★ ★ (#082)
The Jungle Book (2016) ★ ★ ★ ★ (#323)
Just Desserts: The Making of Creepshow (2007) ★.5 (#223)

Keanu (2016) ★ ★ ★ (#218)
The Keeper of Lost Causes (2013) ★ ★ ★.5 (#354)
Kicks (2016) ★ ★ ★ (#235)
The Killers (1946) ★ ★ ★ (#183)
The Killers (1964) ★ ★ ★ (#184)
The Killing (1956) ★ ★ (#098)
Kilo Two Bravo (2014) ★ ★ ★ (#092)
Klute (1971) ★.5 (#033)
Knuckleball! (2012) ★ ★ ★ (#140, WIF)
Kubo and the Two Strings (2016) ★ ★ ★.5 (#226)

The Lady Vanishes (1938) ★ ★ ★ ★ (#186)
Lambert & Stamp (2014) ★ ★ ★.5 (#139)
The Last Picture Show (1971) ★ ★ ★ ★ (#228)
The Late Show (1977) ★ .5 (#031)
The Last Days of Disco (1998) ★ ★ ★ 4 (#059)
The Laughing Policeman (1973) ★ ★ (#253)
Laura (1944) ★ ★ ★ ★ (#021)
Lawrence of Arabia (1962) ★ ★ ★ ★ (#015)
The League of Gentlemen (1960) ★ ★ ★ (#114)
Lebanon (2009) ★ ★ (#137)
Legend (2015) ★ ★ (#055)
Leviathan (2014) ★ ★ ★ (#142)
Lights Out (2016) ★ ★ ★ (#327)
Little Sister (2016) ★ ★ ★.5 (#356)
The Lobster (2016) ★ ★ ★ ★ (#134)
London Has Fallen (2016) ★ (#058)
The Long Goodbye (1973) ★ ★ ★ (#197)
Love & Friendship (2016) ★ ★ ★ (#060)

Macbeth (2015) ★ ★ ★.5 (#077)
Maggie's Plan (2015) ★ ★.5 (#210, WIF)
The Magnificent Seven (2016) ★ ★ (#238)
Man vs Snake: The Long and Twisted Tale of Nibbler (2015) ★ ★ ★ (#258)
Manchester by the Sea (2016) ★ ★ ★ ★ (#360)
Marauders (2016) ★ (#169)
Mascots (2016) ★ ★ (#242)
Masterminds (2016) ★ ★ ★.5 (#248)
Mean Streets (1973) ★ ★ (#012)
The Meddler (2015) ★ ★ ★ (#296, WIF)
Meek's Cutoff (2010) ★ ★ ★.5 (#222, WIF)
Men & Chicken (2015) ★ ★ ★.5 (#202)
Meru (2015) ★ ★ ★.5 (#041, WIF)
Metropolis (1927) ★ ★ ★ ★ (#237)
Midnight Special ★ ★ ★.5 (#096)
Mike and Dave Need Wedding Dates (2016) ★.5 (#334)
The Million Dollar Duck (2016) ★ ★ (#209)
Miss Stevens (2016) ★ ★ ★ (#325, WIF)
Mississippi Grind (2015) ★ ★ ★.5 (#025, WIF)
Mistress America (2015) ★ ★ ★ (#326)
Money Monster (2016) ★ ★ ★ (#249, WIF)
Monster (2003) ★ ★ ★ ★ (#303, WIF)
Monte Walsh (1970) ★ ★ ★ ★ (#009)
Moonlight (2016) ★ ★ ★ ★ (#284)
Morgan (2016) ★ ★ ★ (#219)
Morris from America (2016) ★ ★ ★ ★ (#276)
Mr. Right (2015) ★ ★ (#084)
Murder By Degree (1979) ★.5 (#101)
Murder on the Orient Express (1974) ★ ★ (#116)
My Blind Brother (2016) ★ ★ ★ (#234, WIF)
My Man Godfrey (1936) ★ ★ (#158)

The Naked Face (1984) ★ 5 (#072)
Neighbors 2: Sorority Rising (2016) ★ ★ ★.5 (#126)
Nerve (2016) ★ ★ ★.5 (#283)
A New Leaf (1971) ★ ★ ★.5 (#029, WIF)
The Nice Guys (2016) ★ ★ ★ ★ (#124)
Night and the City (1950) ★ ★ ★ ★ (#120)
The Night Before (2015) ★ ★ ★ (#061)
Night Moves (2013) ★ ★ ★.5 (#156, WIF)
Night Owls (2015) ★ ★.5 (#292)
Night Train to Munich (1940) ★ ★ ★ (#236)
Nocturnal Animals (2016) ★ ★ ★ ★ (#338)
Norman Lear: Just Another You (2016) ★ ★ ★ (#268, WIF)
Notorious (1946) ★ ★ (#106)
Now You See Me 2 (2016) ★.5 (#151)

Oasis: Supersonic (2016) ★ ★ ★ (#320)
Odd Thomas (2013) ★ ★ ★ (#315)
Office Christmas Party (2016) ★ ★.5 (#340)
Onionhead (1958) ★.5 (#266)
Only Angels Have Wings (1939) ★ ★ ★.5 (#193)
Ordinary World (2016) ★ ★ ★ (#277)
The Other (1972) ★ ★.5 (#259)
Our Brand Is Crisis (2015) ★ ★.5 (#088)
Our Kind of Traitor (2016) ★ ★.5 (#280, WIF)

Palio (2015) ★ ★ ★ ★ (#198, WIF)
Paper Moon (1973) ★ ★ ★ ★ (#093)
The Pawnbroker (1964) ★ ★ ★ ★ (#038)
Pay the Ghost (2015) ★ ★ (#026)
Pixels (2015) ★ (#064)
The Place Beyond the Pines (2012) ★ ★ ★.5 (#330)
Poltergeist (2015) ★ (#119)
Pontypool (2008) ★ ★ ★.5 (#262)
Popstar: Never Stop Never Stopping (2016) ★ ★ ★ ★ (#133)
The Program (2015) ★ ★ (#233)

Race (2016) ★ ★ (#037)
Raiders!: The Story of the Greatest Fan Film Ever Made (2015) ★ ★ ★.5 (#172)
Ratcatcher (1999) ★ ★ ★.5 (#306, WIF)
Re-Animator (1985) ★ ★ ★.5 (#264)
Remember (2015) ★ ★ ★ ★ (#112)
The Revenant (2015) ★ ★ ★ (#004)
Ride Along 2 (2016) ★ ★ (#014)
Ricki and the Flash (2015) ★ ★.5 (#068)
Rififi (1955) ★ ★ ★ ★ (#063)
Rio Bravo (2959) ★ ★ ★.5 (#298)
Rock the Kasbah (2015) ★ (#147)
Rogue One (2016) ★ ★ ★ ★ (#348)
Room (2015) ★ ★ ★ ★ (#053)
Rough Cut (1980) ★ ★ (#168)

The Salvation (2014) ★ ★ ★ (#039)
Sam Whiskey (1969) ★ ★ ★ (#157)
The Satan Bug (1965) ★ ★ ★.5 (#080)
Sausage Party (2016) ★ ★ ★.5 (#201)
The Secret in Their Eyes (2009) ★ ★ ★ ★ (#143)
Secret in Their Eyes (2015) ★ ★ (#152)
Session 9 (2001) ★ ★ (#245)
Seven Days in May (1964) ★ ★ ★ ★ (#049)
Seven Samurai (1954) ★ ★ ★ ★ 5 (#070)
The Shallows (2016) ★ ★ ★ (#164)
Shin Godzilla (2016) ★ ★ ★.5 (244)
Shout at the Devil (1976) ★ ★ ★.5 (#154)
The Silence (2010) ★ ★ ★ (#346)
The Silent Partner (1978) ★ ★ ★ (#173)
Silent Running (1972) ★ ★ (#040)
Sing Street (2016) ★ ★ ★ ★ (#192)
Sisters (1972) ★ ★ ★ (#232)
Sisters (2015) ★ ★ ★ (#017)
Slash (2016) ★ ★.5 (#344)
Slums of Beverly Hills (1998) ★ ★ ★ .5 (#290, WIF)
Snowden (2016) ★ ★ ★ (#239)
Solace (2015) ★ ★ (#355)
Sour Grapes (2016) ★ ★.5 (#307)
Southpaw (2015) ★ ★ (#052)
Spotlight (2015) ★ ★ ★.5 (#013)
The Spy in Black (1939) ★ ★.5 (#199)
Stagecoach (1939) ★ ★ ★ ★ 5 (#069)
Star Trek Beyond (2016) ★ ★ ★ (#187)
The Station Agent (2003) ★ ★ ★ ★ (#011)
Steve Jobs (2015) ★ ★ ★.5 (#050)
Stories We Tell (2012) ★ ★ ★.5 (#331, WIF)
Submarine (2010) ★ ★ ★.5 (#293)
Sugar (2008) ★ ★ ★.5 (#318, WIF)
Suicide Squad (2016) ★ ★ (#196)
The Sunshine Boys (1975) ★ ★.5 (#076)
Supermensch: The Legend of Shep Gordon (2013) ★ ★ ★.5 (#144, WIF)
Sweet Smell of Success (1957) ★ ★ ★.5 (#204)
Swiss Army Man (2016) ★ ★ ★ ★ (#181)

The Take (2016) ★ ★.5 (#295)
Tell No One (2006) ★ ★ ★.5 (#044)
Terror Train (1988) ★.5 (#260)
They Only Kill Their Masters (1972) ★ ★ ★ (#351)
The Third Man (1949) ★ ★ ★ ★ (#032)
The To Do List (2013) ★ ★ (#019, WIF)
Too Late (2015) ★ ★ ★.5 (#091)
Triple 9 (2016) ★ ★ ★.5 (#123)
The Trouble with Spies (1987) ★ (#145)
Trumbo (2015) ★ ★ ★.5 (#297)
The Trust (2016) ★ ★ ★.5 (#117)
Tumbledown (2015) ★ ★ (#149)

Uncle Nick (2015) ★ ★ ★ (#332)
Under the Shadow (2016) ★ ★ ★.5 (#241)
Urban Cowboy (1980) ★ (#016)
USS Indianapolis: Men of Courage (2016) ★.5 (#247)

Vanishing Point (1971) ★ ★ ★ (#048)
Village of the Damned (1995) ★ ★ ★ (#175)

The Wailing (2016) ★ ★ ★.5 (#256)
The Walk (2015) ★ ★ (#078)
War Dogs (2016) ★ ★ ★.5 (#305)
Warcraft (2016) ★ ★.5 (#319)
The Wave (2015) ★ ★ ★ (#071)
Wendy and Lucy (2008) ★ ★ ★ ★ (#086, WIF)
Weiner (2016) ★ ★ ★ ★ (#160, WIF)
What's Up, Doc? (1972) ★ ★ ★.5 (#317)
Wild Bill (1995) ★ ★ ★ (#294)
Wild Card (2015) ★ ★ ★ (#020)
Wild Oats (2016) ★ ★ ★ (#278)
Wild Tales (2014) ★ ★ ★ ★ (#342)
When a Stranger Calls (1979) ★ ★ ★ (#176)
When a Stranger Calls (2006) ★ ★ (#177)
When Worlds Collide (1951) ★ ★ ★ (#095)
Whiskey Tango Foxtrot (2016) ★ ★ ★.5 (#057)
The Whole Truth (2016) ★ ★ (#263, WIF) 
The Winding Stream (2014) ★ ★ ★ (#003, WIF)
The Witch (2016) ★ ★ ★ ★ (#042)

X-Men: Apocalypse (2016) ★ ★.5 (#130)

Yoga Hosers (2016) ★ .5 (#322)

Zootopia (2016) ★ ★ ★ ★ (#138)

Q&A Intro, 1-17, 18-36, 37-51, 52-66, 67-74, 75-87, 88-103, 104-120, 121-131, 132-152, 153-173, 174-187, 188-221, 222-255, 256-287, 288-314, 315-341, 342-366,

Buggy Eyes and a Big Butt, the final chapter: Movies 342-366

Pencilstorm contributor Rob Braithwaite is watching 366 movies this year, so you don't have to, here is part se7enteen of his continuing 2016 rundown......

Q&A Intro, 1-17, 18-36, 37-51, 52-66, 67-74, 75-87, 88-103, 104-120, 121-131, 132-152, 153-173, 174-187, 188-221, 222-255, 256-287, 288-314, 315-341, 342-366, Index

Ratings key:
★ ★ ★ ★ ★ = I can’t see giving anything that I’ve seen once five stars
★ ★ ★ ★ = get to the theater / move it up in your queue
★ ★ ★ = “three stars is a recommendation” - The Empire [magazine] Podcast
★ ★ = if the remote is too far away, you could do worse
★ = if the remote is too far away, get someone to move it closer then throw it at the TV

342
Wild Tales (2014) ★ ★ ★ ★
stars: María Marull, Julieta Zylberberg, Ricardo Darín
writer/director: Damián Szifrón

Six short stories. Six vengeful hearts.  

Every segment surprises in some way.

double feature pairing: V/H/S

343
Dogtooth (2009) ★ ★ ★ ★
stars: Christos Stergioglou, Angeliki, Papoulia, Hristos Passalis
director: Yorgos Lanthimos

Every parent wants to protect their child. These parents take it to an extreme that no one has ever seen.

Much like Lanthimos’ The Lobster earlier this year, Dogtooth teaches you its world logic by letting you live in it, to fill in the spaces and put the pieces together yourself. What a strange place it is.

double feature pairing: Upstream Color

344
Slash (2016) ★ ★.5
stars: Michael Johnston, Hannah Marks, Michael Ian Black
writer/director: Clay Liford

Neil is a teenager unsure where he fits in social circles or on the Kinsey scale. His slash-fiction catches the attention of a fellow student and the administrator of a fan fiction convention.

The story paints itself into some messy corners and doesn’t take an easy way out. I appreciate it for that reason. Overall, it’s fine.

watch The Perks of Being a Wallflower instead

345
The Infiltrator (2016) ★ ★.5
stars: Bryan Cranston, John Leguizamo, Diane Kruger
director: Brad Furman

Based on the true story of customs agent Robert Mazur’s exposure of a Columbian money laundering operation.

A familiar movie subject that isn’t presented in a particularly interesting way.

watch Donnie Brasco instead

346
The Silence (2010) ★ ★ ★
stars: Ulrich Thomsen, Wotan Wilke Möhring, Sebatian Blomberg
director: Baran bo Odar

The bike of a missing girl is found in the exact spot where a girl was murdered twenty-three years earlier.

Grim, to say the least. It’s an exploration of obsession that ends on an odd note of humanity.

double feature pairing: Little Children

347
A Field in England (2013) ★ ★ ★.5
stars: Julian Barratt, Peter Ferdinando, Michael Smiley
director: Ben Wheatley

A 17th-century alchemist enlists the help of war deserters to search for a treasure he believes buried in a field. …in England.

Like Dogtooth, there isn’t much spelled out for you at the jump. And when things go sideways, you might say to yourself, “Buh?” But when all is said and done, it’s a fantastic story.

“Warning: This film contains flashing images and stroboscopic sequences.” Luckily for one woman, Mary Hart’s voice is nowhere to be heard.

double feature pairing: Event Horizon

348
Rogue One (2016) ★ ★ ★ ★
stars: Felicity Jones, Diego Luna, Ben Mendelsohn
director: Gareth Edwards

From one throwaway line in Star Wars, a movie is born. Now we get to see how those rebels got their space mitts on the Death Star blueprints, paving the way to the Alliance’s first major strike against the galactic Empire.

There’s some really good stuff here. Some badass Vader action. Some questionable devices in the third act. And the final few moments visually present one narrative while logic says otherwise. I’ve worked it out in a way that I’m fine with. It could be a little neater.

At the end of the space day, it’s still a Star Wars movie with the Death Star in it. There aren’t as many winks to the franchise as The Force Awakens had, but we are still playing on familiar ground. I’m waiting for Episode VIII to tell me if we are ever going to move on into uncharted territory.

double feature pairing: Star Wars

349
Compulsion (1959) ★ ★ ★.5
stars: Dean Stockwell, Bradford Dillman, Orson Welles
director: Richard Fleischer

Rope is one of my favorite Alfred Hitchcock movies. It was based on a play that was inspired by the murder trial of Nathan Leopold Jr. and Richard Loeb. Rope took a philosophical angle at the material, focusing on the men’s reasoning for murder. Compulsion took the more traditional thriller route: murder > investigation > trial.

While Rope changed nearly everything about events, Compulsion kept to most every detail, except for the names. Those were changed out of fear of lawsuit from the surviving killer. I was surprised to learn that the defense attorney was Clarence Darrow. His impassioned closing argument saved the killers from a death sentence.

double feature pairing: Inherit the Wind

350
Gangster No. 1 (2000) ★ ★.5
stars: Malcolm McDowell, Paul Bettany, David Thewlis
director: Paul McGuigan

The rise and fall of a gangster is told in flashback so Malcolm McDowell could be cast for the present timeline and to provide narration. Everyone else plays their older and younger selves.

There a familiarity to this kind of kinetic energy now, but there are also some really interesting moments, too.

watch Layer Cake instead

351
They Only Kill Their Masters (1972) ★ ★ ★
stars: James Garner, Katherine Ross, Hal Holbrook
director: James Goldstone

A woman is found dead. Her dog is accused of the murder. Open and shut. Nothing to see here.

I think what I like most about this movie is that James Garner’s character is kinda put off being sheriff of a small town. He shows aptitude for the job at times, but he thinks he’s above everyone.

There are some odd elements that make it more interesting than it should be. The 30-second PSA about how gasoline is used to make household disinfectants. The actor playing the killer must have been more famous at the time, as the face was awkwardly obscured until the final reveal. They were really going for that Robert Loggia moment. And there’s a running gag about the sheriff taking his vacation in Los Angeles because he wanted to get laid.

double feature pairing: Snatch

352
The Cocoanuts (1929) ★ ★ ★
stars: The Marx Brothers
director: Robert Florey, Joseph Santley

353
Horse Feathers (1932) ★ ★ ★
stars: The Marx Brothers
director: Norman McLeod

I’d never seen a Marx Brothers movie. I’ve now seen two. I think I’ve got it.

This is if-it-ain’t-broke-don’t-fix-it variety show moviemaking. There’s a very loose narrative on which to hang some jokes. There’s singing. Harpo plays a harp (who knew every song sounds the same when played on a harp?). Chico plays the piano.

They are worthy of appreciation. A good number of the jokes are still funny. There’s some great physical humor. They could have varied the song selection. Like, maybe not perform the same song multiple times.

You should see at least one of their movies if you haven’t already. Do you like dance numbers? Watch The Cocoanuts. Would you like to be spared the dancing and fifteen minutes? Horse Feathers is for you.

double feature pairing: The Three Stooges

354
The Keeper of Lost Causes (2013) ★ ★ ★.5
stars: Nikolaj Lie Kaas, Fares Fares, Sonja Richter
director: Mikkel Nørgaard

A problem child detective is put in charge of the cold case department. He and his new partner look to make a difference.

Based on a series of novels, this Danish serial skips TV in favor of the big screen (not here, mind you). It’s a boilerplate thriller with an ordinary third act. The points of interest, however, are the two main characters. They play off each other well. The problem child detective’s reason for looking into the first case makes me laugh: he thinks the officer who closed the case is a terrible cop, so surely he missed something.

double feature pairing: Se7en

355
Solace (2015) ★ ★
stars: Anthony Hopkins, Abbie Cornish, Colin Farrell
director: Afonso Poyart

While we’re in template world, here’s a story about a psychic working with the FBI to track a serial killer.

There’s something good in the last half and the ultimate resolution, and there’s something bad on the road getting there.

watch Next instead

356
Little Sister (2016) ★ ★ ★.5
stars: Addison Timlin, Ally Sheedy, Keith Poulson
director: Zach Clark

Former goth and current nun-to-be, Colleen has been avoiding contact with her family. When she learns her brother has come home from the hospital, she decides to do the same. …not the hospital part, just the going home part. You got that, right?

It’s a nice story of a dysfunctional family on the mend.

double feature pairing: Killing Them Softly

357
The Autopsy of Jane Doe (2016) ★ ★ ★
stars: Emile Hirsch, Brian Cox, Ophelia Lovibond
director: André Øvredal

Two coroners try to understand why a corpse, clearly dead and internally traumatized, shows no signs of external physical damage.

Apart from the few times when the dialogue perfectly nails down an explanation of the weird happenings, this is a really good episode of The Twilight Zone or Tales from the Crypt.

double feature pairing: Night Shift

358
Black Christmas (1974) ★ ★ ★ ★
stars: Olivia Hussey, Margot Kidder, John Saxon
director: Bob Clark

There’s a killer Christmas stalking the women of a sorority.

Predating Halloween and When a Stranger Calls by four and five years respectively, Black Christmas is the forgotten pioneer of horror. Maybe it didn’t get its due because none of the kills are shown, just the bodies. This makes one of the deaths particularly chilling.

There are plenty of tense and (intentionally) funny moments. Margot Kidder is great.

double feature pairing: Rare Exports

359
A Girl Walks Home Alone at Night (2014) ★ ★ ★.5
stars: Sheila Vand, Arash Marandi, Marshall Menes
writer/director: Ana Lily Amirpour

Sometimes vampires are lonely.

It’s an new take on the vampire story.

double feature pairing: What We Do in the Shadows

360
Manchester by the Sea (2016) ★ ★ ★ ★
stars: Casey Affleck, Lucas Hedges, Michelle Williams
writer/director: Kenneth Lonergan

When a sad man returns home to bury his brother, he learns he is the only one left to provide for his nephew.

The less said about the plot particulars the better. Flashbacks play like triggered memories. Michelle Williams isn’t in it much, but there is a scene… well, it’s the reason you hire Michelle Williams.

double feature pairing: Next of Kin

361
Fences (2016) ★ ★ ★ ★
stars: Denzel Washington, Viola Davis, Stephen Henderson
director: Denzel Washington

A black man in the 1950s raises a family as he fights ghosts, struggles with the tipped scale of equality and righteously casts upon others.

Originally a play, it still sounds like a play. There doesn’t seem to have been much effort to change the rhythm or content of the dialogue. There’s an adjustment period to sync the two mediums. I’m figure the content was more important to the filmmakers than altering the powerful story to a more cinematic look.

It’s dense. It’s intense. It’s exhausting. In a good way.

double feature pairing: American Buffalo

362
The City of Lost Children (1995) ★ ★ ★.5
stars: Ron Perlman, Daniel Emilfork, Judith Vittet
directors: Marc Caro, Jean-Pierre Jeunet

In a world askew from our own, a man steals the drams of children to slow his aging.

Incredibly visual. It was a marvel to watch.

double feature pairing: The Adventures of Baron Munchausen

363
Airport (1970) ★ ★ ★.5
stars: Burt Lancaster, Dean Martin, Jean Seberg
director: George Seaton

It’s takes a special kind of person to manage an airport. This is just one day.

I expected my extensive knowledge of Airplane! would distract me from paying attention to this. Far from it. Thirty minutes into it, I had no idea where the story was going. A plane taxied into a snow bank, so a special guy had to be called. There was a protest about the use of Runway 22 that disturbed a local neighborhood. An elderly stowaway was caught and interrogated about her methods of sneaking into a plane. There’s a guy making a bomb. And the personal relationships of the flight crew and airport management. The movie was less thriller and more like a late night TV soap, like Hotel or Dallas. For a movie rated G, there was a lot of talk about abortion.

Anyway, I liked it, even though the protesters’ story line disappeared. Maybe that’s something the sequels address.

double feature pairing: Die Hard 2

364
The Future (2011) ★ ★.5
stars: Miranda July, Hamish Linklater, David Warshofsky
writer/director: Miranda July

The adoption of a cat leads Jason and Sophie to reassess their lives together.

It’s not often someone finds a unique way of presenting a break-up movie. I didn’t find it too entertaining as I watched, but I did think about it for a couple days.

watch The One I Love instead

365
Iris (2014) ★ ★ ★
stars: Iris Apfel
director: Albert Maysles

The personality of Iris Apfel is on full display. Her fashion is a bit much for my taste. However, her importance in the design world, even in her 90s, is immeasurable.

double feature pairing: The September Issue

366
Desperately Seeking Susan (1985) ★ ★ ★
stars: Rosanna Arquette, Madonna, Aidan Quinn
director: Susan Seidelman

A housewife finds herself in a crazy case of mistaken identity and amnesia.

It’s a fun blast from the past I was on board with until she bumps her head and forgets who she is. Then, when she bumps her head again, she remember who she is as well as everything she’d done since the first bump. Whatever. It’s enjoyable.

double feature pairing: Forgetting Sarah Marshall

Counters:
366/366 movies
54/52 movies directed by women

TOP THREE