Five Life-Changing Rock & Roll Shows - by JCE

I read and enjoyed the recent piece posted here on Pencilstorm called “Tales of My Misspent Youth: Five Concerts That Changed My Life” by Jim Johnson. In keeping with the series of pieces about life-changing records that hung on for several weeks here on Pencilstorm, I thought I would follow Jim with my own list. I’m calling them “shows” because I philosophically struggle to call club gigs “concerts.” And for me, four out of five on my list were in small clubs. I won’t bore you with too much detail, I’ll keep it short. Some of my shows are kind of obscure, so you might be bored anyway. Here goes, in chronological order:

1. Aerosmith w/ Golden Earring, Capital Centre, Landover, MD. If you have read any of the stuff I have posted on Pencilstorm, you should be scratching your head at this one. It’s here because it was my first concert ever, around 1975. My awesome big sister (R.I.P.) took me to this show and launched my life-long love of live rock and roll. I had the best big sister in the world. Notably, the opening act was supposed to be Styx, but they cancelled. Thank God for that.

2. The Stranglers w/ Minor Threat and Bad Brains, Ontario Theater, Washington, D.C. In middle school and high school I was a skateboarder, which led me to being pretty much a punk rocker as well. This was not the first punk show I saw by any means, but it was an early one with a great band from England (I never saw the Pistols or The Clash unfortunately). The openers were D.C. hardcore legends, a scene which later had a major impact on me.

3. Tru Fax and the Insaniacs w/ Jason & the Nashville Scorchers, Nightclub 9:30, Washington, D.C. I saw Tru Fax probably 30 times or more. They were my favorite D.C. band along with the Slickee Boys and Tommy Keene. The opening act is what gets this show on the list however. Jason & the Nashville Scorchers (they dropped the “Nashville” soon after this show) were the best live band I ever saw, second only to The Neighborhoods. I saw them about six times and they were nothing shy of spectacular every time.

4. 98 Colours, The Mineshaft, Charlottesville, VA. I realize that no one has heard of these guys. They never even made a record. But this band became the core of a group of the best friends I could imagine, as we all saw them every time they played, and it was an amazing time in my life. John (drums), Randy (bass, vocals) and David (guitar, vocals) were tremendous friends and they had a huge influence on my life. I doubt I would have met my beautiful wife of 28 years without them. I will tell their story in a future piece if the story is deemed worthy of Pencilstorm.

5. The Neighborhoods, The C&O, Charlottesville, VA. I saw The Neighborhoods many, many times with the Minehan, Harrington, Quaglia line-up. I saw them in Charlottesville every time they played, I saw them in Richmond, Washington, D.C., and even in their hometown of Boston. They are the best live band ever and therefore they MUST be on this list. The show I am picking for the list was one of the first ones I saw, if not THE first, so it is memorable. I was simply blown away. I met the guys a number of times and they were always gracious. My friends in 98 Colours opened for them several times as well. This is a band that means so much to me.

Okay, those are my five. When I sat and thought about a list, I had a dozen. It was tough to narrow down, but these were the most impactful, if not necessarily the best shows I have seen. Thanks for reading. Who’s next with their list? - JCE

Ricki C. and JCE (John, to his friends & family) first bonded over their shared mutual love of Boston's Finest Sons - The Neighborhoods - and everything extended out from that rock & roll ripple.  JCE lives in Culpeper, Virginia with his wife & daughter, and he & Ricki are STILL waiting for the long-rumored NEW Neighborhoods record to be released. Maybe in 2019.

Tales of My Misspent Youth: Five Concerts That Changed My Life - by Jim Johnson

I’ve seen more than my share of great concerts. Heck, I’ve seen the Stones 15 or 20 times. I never did get to see the Beatles, but neither did most of you. Anyway, seeing a great band never gets old, but some will remain clogged in my memory as being the ones that really stand out. Here’s five particularly good ones.

#5 - Led Zeppelin / Pittsburgh Civic Arena / March, 1970 – I loved the band, from their first record. I was a Yardbirds fan, and they always had great guitar players, but Jimmy Page always stood out for me. Zep’s bombastic style was unlike anything else: Plant’s high wail, Page’s grungy guitar, Jones’ solid bass, but it was the drumming that really did it. No one had ever played like Bonham. Yeah, Moon was all over the place, Ginger Baker could plod out double-bass stuff like nobody’s business, but here was Bonham. He was doing that bass drum stuff, with a SINGLE LUDWIG SPEED KING pedal! To me, it was unbelievable, and I had to see it live. They had just done Led Zeppelin III, and there was a lot of acoustic stuff on that record. I was hoping they wouldn’t get too acoustic on me. They did not disappoint. They played for 3 1/2 hours, without a break. Heck, the drum solo on Moby Dick was 45 minutes. For me, this was Zeppelin at their prime, and I was privileged to see it first-hand.

#4 - The Who / Riverfront Coliseum, Cincinnati / December, 1979 – Yeah it was THAT Who show in Cincinnati. My friend Louis and I drove down from Columbus. We were both working for Buzzard’s Nest, and got pretty good seats. We decided to drive down early, so we could get close to the doors, get in early, and have a few beers before they started. We got in really quickly when they opened the doors, and a minute after we were in, we heard the band doing their sound check. We blew off the beer and headed to our seats. We made a comment that we were glad we had reserved seats, and wouldn’t have to fight the crowd down on the floor, where it was general admission. It was the Who’s first tour after Moon died, so we didn’t know what to expect, except I was glad they got Kenny Jones to replace Moon. No one could ever play like Moon, but now the Who would have the anchor that Entwistle needed to really let his bass playing shine. After all, he was the real lead instrument in the Who. Townshend could play, but he wasn’t a lead player, in the fashion of Clapton, Page, or Beck. Listen to Quadrophenia, and tell me Entwistle isn’t the lead instrument. Anyway, the Who were great! Didn’t miss a lick with Kenny Jones on drums. We drove home raving about the show, until we turned on the radio, and found out 11 people had died at the very show we just left. We felt just awful, because moments ago, we were raving about how great the Who were. I’ve never been to another general admission show, in an arena.

#3 - The Rolling Stones / Akron Rubber Bowl / July 1972 – I was a student at OSU. It was June of ‘72, and I decided to stay in Columbus instead of going home to Youngstown for the summer. I had just started playing in bands again, after not playing for a couple of years to concentrate on school. I was playing in a band called Caterpillar (named after the company that made bulldozers). Our flyers advertised “The earth-moving sounds of Caterpillar.” I think one of the guitar players worked for them. Anyway, our lead singer, Tom Howard, was a real Stones fan. He convinced me to go with him, and I said yeah, except I didn’t have $18 for a ticket. He loaned me the money, and off we went. We got there early enough that we were able to see the Stones from about 30 feet from the stage. Exile on Main Street had just come out, and song after song after song, they played everything I wanted to hear. Mick Taylor was still in the band on that tour, and he covered everything Keith couldn’t play, magnificently. I was a Stones fan for life.

#2 - Bruce Springsteen & the E Street Band / Veteran’s Memorial, Columbus, Ohio / September 5th, 1978 – Playing in a band cost me the chance to see Bruce on the Born to Run tour at the Ohio Theatre in 1976, and I WAS NOT missing him this time. It had been a couple of years since Born To Run came out, and when Darkness On The Edge of Town arrived, that RECORD changed my life. It wasn’t about fun & games & chasing girls, getting high, and having fun anymore. This was serious shit. This was all about life, and MY life in particular. It was like he knew my life’s story, and was singing about it. I was lucky enough to be in the 2nd row (working the ticket counter at Buzzard’s Nest had its privileges). The band came out and started with “Summertime Blues.” The sound, fury and bombast was like a punch in the face, only it felt good. Three hours of the greatest songs I’d ever heard. All of a sudden this was grown-up Rock & Roll. I was mesmerized, and never the same again. Springsteen fans will know what I’m talking about. Rock & Roll grew up that day, and so did I.

#1 - Atlantic City Pop Festival / Atlantic City, NJ / August, 1969 – I know what you’re thinking, how can anything beat the previous four shows? I will tell you. It was the summer of ’69 (yeah, who thought Bryan Adams would write a song about it?), the summer between my junior and senior year in high school. My friend Randy had moved with his parents to Pennsylvania and his family invited me to spend a weekend with them before school started in September. My mom was OK with it, as she knew Randy’s dad was a minister, and I would be OK. I just had to take a Greyhound bus from Youngstown to Harrisburg PA. Randy had just gotten his driver’s license and picked me up at the bus station. He asked me if I was ready for an adventure. I didn’t know what he meant, but he told me there was a ROCK FESTIVAL in Atlantic City that weekend, only a couple hours away. There was ALSO one in two weeks in WOODSTOCK NY, but that was two weeks away, and Atlantic City had a beach. That was a bonus, so we opted for Atlantic City.

This was my first exposure to the “counter culture” and I would never be the same after this either. Pot smoke filled the air, and I saw band after band over three days of great music: Jefferson Airplane, Chicago, Joni Mitchell, Procol Harum, Iron Butterfly, The Byrds, Canned Heat, Santana, Mothers Of Invention, and Joe Cocker, to name a few. It was unbelievable for anyone, let alone a 17-year old kid. On Sunday, the final night, I was totally burnt, from three days of over-exposure to my senses. I was ready to go home, but I had to stay to see Janis Joplin, whom I loved. Janis was great, swigging from a bottle of Southern Comfort, and belting out the tunes from her new album, Pearl. She had a whole new band, and they had a really different sound than Big Brother. I still remember the sax player’s name, Snooki Flowers. Janis was unbelievable. Just as good as when she played Monterrey, in that film. The entire crowd was blown away. After her set, I just sat on the ground for a few minutes to catch my breath. I was about to leave, when they announced from the stage, “Little Richard.” I never thought anyone could top Janis. She was pure emotion, and she shared it with everyone. Richard Penniman came out and it was 45 minutes of pure adrenalin. I don’t even know how to explain it, but you can find those old films of him on YouTube. Magnify what you see by a thousand, and THAT is the electricity that zapped the crowd for 45 minutes to close the ATLANTIC CITY POP FESTIVAL. I WAS NEVER THE SAME.

Each one of these shows changed my life. They made me what I am today. I hope you enjoy my take on them. Rock and Roll CAN change your life; if you believe. It certainly did for me. - Jim Johnson

Jim Johnson is Midwest legend; playing drums with Willie Phoenix, The Retreads and League Bowlers, among others. Click here to read more about him.

Listen to this! League Bowlers Some Balls Deluxe.

Jim Johnson With Your Record Store Day Picks

Jim Johnson has worked in the record business since before there were records and is one of Columbus, Ohio's best known drummers. Click here to check him out on The League Bowlers Some Balls Deluxe. Or click here to read an interview

This Saturday, April 21, is Record Store Day: a great reason to visit all your local record stores. That is, if you’re hip to the vinyl resurgence, and really, if you’re reading Pencilstorm, you’re already sorta hip. Vinyl has basically saved the record industry from going down the tubes, an industry - I must admit - that has given me a job for most of my life. It was touchy there for a while, in the early 21st century, when Napster and Apple decided music should be cheap or free, and kids got a kick out of stealing music through the internet. Luckily, people still like to hold a piece of music in their hands, and what better to hold than a round groovy piece of plastic, often in a multitude of different colors?

But I digress, back to Record Store Day. There’s always something for everyone, regardless of your taste. I thought I’d do you a favor, and cut through all the goofy bands you’ll have to sort through, to find the good stuff. After all, does anybody really need any more crappy Phish or Grateful Dead records? I think not.

Here’s my picks:

Chuck Berry’s Greatest Hits. A record everyone that loves Rock & Roll should own. It all starts here.

Blue Oyster Cult / Rarities. You gotta delve deep into their catalog to find the good stuff, so I’m hoping this has some cool early tunes. These guys were way ahead of their time.

Smithereens / Play Tommy. RIP Pat, you did good on this.

Good Rats / Tasty. If you’re not hip the the best band out of Long Island in the 80’s, you’re not really hip.

Kinks / Phobia Their last studio album. Kinks collectors, take note.

Nilsson / Pussycats. Classic Nilsson, produced by John Lennon.

Neil Young / Tonight’s The Night, Live At The Roxy. Classic Neil, in a club. As close to hearing him in a garage as you’re gonna get. That’s a compliment.

The Who / The Kids Are Alright. Soundtrack to the movie. These songs were meant to be heard on vinyl.

Coupla others that look interesting: Steve Earle & The Dukes / Live; Living Colour / Live At CBGB’s; Dream Syndicate / How We Found Ourselves. That’s my picks. See ya at the stores, get there early!

Pencilstorm Remembers Mike Parks

Fans and friends of Mike Parks will be gathering to see Willie Phoenix at the A&R Bar Friday, February 2nd. It's a post CBJ show. Details here.

League Bowlers guitarist Mike Parks succumbed to cancer on Sunday, January 7th. I really don't know how old he was and I guess it doesn't matter anyway. Mike was a gentleman and an artist and it was truly an honor to stand next to him onstage and get to listen to all that amazing guitar playing up close. Not that you needed to be close once Mike cranked up those two VOX twins, but you get the point. I'm going to turn it over to Ricki C. and Jim Johnson from here as they knew Mike longer and better than I did. - Colin G.

Click here to read: Mike Parks - Guitar Slinger.....written by Ricki C. in 2014, updated 2017

Jim Johnson -  I guess it's time to post my thoughts. I lost one of my best friends yesterday. Mike Parks passed away peacefully yesterday, with his wife, Danya Linehan, and his cats by his side. Mike had a lot of cats. More than one household really needed, but Mike loved his cats. He had this thing, a sort of telepathy with cats. If you know anything about cats, you know cats don't trust anyone. Cats trusted Mike. They knew he was one of them, and they loved him as much as he loved his cats. It really was amazing to see.

I first met Mike, back in the "Sugar Shack" days. I think he was playing in Flasher, and I was playing in Lizzy Borden. I used to watch Mike play, and he would do this thing, with a violin bow and an echoplex. It was amazing. Every bit as good as Jimmy Page, but I didn't have to go to Madison Square Garden to see it. I could stand 5 feet away, at the Shack, and then walk home. Those were amazing days. I thought to myself, "I hope I get to play in a band with this guy someday." My wish came true. Mike and I played in three bands together. The Retreads, Willie Phoenix and the True Soul Rockers, and the League Bowlers. All cool bands, and it was a pleasure to share the stage with Mike. The Retreads used to play at Bernies, and we had a gig the day Mike's first child was born. We weren't sure if he would make it to the gig. After all, his kid was being born. Mike showed up 5 minutes before we were supposed to go on, dressed in full Operating Room scrubs, including surgeon's mask, and played the gig. I wish there were pictures. That's the Mike I remember. There are some tapes of the True Soul Rockers playing the High-Beck, floating around in cyberspace. The band was really at it's best in those days, and if you ever get to hear the tape, you'll hear Mike and Willie Phoenix, tearing it up. Those two together, man, it was magic. That's the Mike I remember.

After the TSR's broke up, Mike quit playing for a while. I used to call him, and he'd say, "Man, I'm retired. I'll do my sculpting. I got other stuff I can do." I said "we'll see." I went on to join the League Bowlers, and when we needed a guitar player, I suggested Mike. I said "Come down & jam, and if you hate it, you can go back to your sculpting." Long story short, Mike had a new rock & roll home. Colin Gawel had some cool songs, and we recorded them with Rick Kinsinger. Some Balls was born. Rick reminded me of a story about Mike not long ago. Mike was having a little trouble coming up with a lead for a song, so I told him, "Play it like Chuck Berry would, if he was in a surf band." Needless to say, Mike NAILED it. He had an amazing amount of Rock & Roll Knowledge. After all, he lived with the MC5 for a while. That's the Mike I remember. Some Balls Deluxe is finished, and Mike left some great guitar playing for us to remember him by. Colin said not long ago, "There are a lot of guitar players that are artists. Mike is an artist that plays guitar." There's a difference. The world lost a gifted human being yesterday. I'm lucky to have known him, to have him in my life, and I have some great memories. That's the Mike I remember.  - Jim Johnson

Jim mentioned Bowlers producer and sometime stand-in Rick Kinsinger above, I thought his comments were worth sharing as well:

There are losses that make me sad, not just for the ones who knew and loved the departed, but also for the people who never knew them, because now they never will. Mike Parks is one of those. Whether you knew him or not, your world just got a little less cool, less colorful, less weird, and less kind. Rest In Peace, Mike. - Rick Kinsinger

Along those lines, as Mike was fighting his illness while trying to finish Some Balls Deluxe, Rick would literally take a small recording rig to Mike's bedside so he could record his parts. With the circumstances being what they were, Rick recorded EVERYTHING Mike laid down. The final song on Some Balls is one of those moments of Mike just messing around and having some fun. We thought it was the perfect way to wrap up the record and I think we will wrap this post the same way. 

Click here to play 11th Frame by Mike Parks  .  

 

Your Abbreviated C-Bus Record Store Day Preview

Record Store Day 2017 is upon us. Make plans now to throw some cash at some tasty new platters and support your local record store. Click here for the complete list of all Record Store Day releases.   Below are some choice picks from a handful vinyl junkies. 

Jim Johnson - Sales & Mktg. rep for AllianceEntertainment. Drummer.
Drive By Truckers-Electric Lady Sessions
Doors-Live at the Matrix '67
Ramones-76-79 Singles Box set
U2 picture disc of Red Hill Mining Town
NRBQ 50 year retrospective
Cars-Live at the Agora(Cleveland)
Dennis Wilson- double LP
Springsteen-Live Hammersmith '75 (4 LP set)

Brett Ruland (Spoonful Records)
Atomic Bomb Band (Performing The Music of William Onyeabor)
Shocking Blue - At Home
The Meters - A Message From The Meters
David Bowie - BOWPROMO
Luna - Penthouse Deluxe

Click here for Spoonful Records RSD event page.

Kyle Siegrist (Lost Weekend Records)
Fleetwood Mac - Alternate Mirage
Son House - Oberlin 1964
Grateful Dead - Vancouver 1966
The Cure - Acoustic Greatest Hits
Columbus Blood 4 Compilation

Scott Carr (Lost Weekend Records)
Cheap Trick - The Epic Archive Vol. 1
David Bowie - Cracker Actor (Love In Los Angeles 1974)
The Cars - Live At The Agora 1978
Big Star - Complete Third Vo. 3 - Final Masters
Ramones - '75 - '79 Singles Box

Lost Weekend has all kinds of cool RSD events going on including portable screen printing and live performances including Lydia Loveless. Click here for the Facebook event page. 

And don't forget to visit Used Kids Records. Click here for their list of events. 

Pat Dull - this year I am looking forward to the Cheap Trick 2x lp of *somewhat* rarities (many already on CD bonuses), and anything on Parlophone! In the future, the Steve Abini re-recording of In Color would be the perfect RSD release!  Also the legendary 2x lp version of Combat Rock (my least favorite Clash LP tho) called "Rat Patrol From Fort Bragg."

Ace In The Hole Music Is Closing Next Week: You Should Stop In - by Ricki C.

Ace In The Hole Music Exchange (1153 Kenny Centre, inside the Kenny Centre shopping plaza, right by the corner of Kenny & Henderson Rds. / 614-457-5666) is closing its doors for good on Saturday, March 18th, 2017.  You should go there before it does. 

Owner/proprietor Mike "Pepe" Depew has kept Ace In The Hole going since 1995 - virtually single-handedly for the past seven years - but the crushing economic realities of keeping an indie record store afloat in our current downloadable music culture has made continuing the venture impossible.  (see store hours and closing-week discount schedule below)

I worked at Ace In The Hole for nine years in the first decade of this 21st century, 2001-2010.  I lived a pretty clichéd rocker existence that decade: I played action-packed acoustic solo rock & roll gigs; I served as road manager for Hamell On Trial, a punk-blast of MC 5-derived acoustic energy; halfway through the decade I signed on as merch guy & guitar tech for Watershed (and later for Colin’s spinoff bands, The League Bowlers and The Lonely Bones); and in between all that touring my day job was at Ace In The Hole Music.

I can’t tell you how cool that day job was.  Essentially I was getting paid to hang out and listen to music for eight hours a day, while talking ABOUT MUSIC to various strangers, friends & acquaintances who dropped into the store, both of which I WOULD HAVE DONE FOR FREE!!!  Other than a very short stint at Camelot Music right before Ace In The Hole, I had spent 25 years of my life working on receiving docks and in warehouses, unloading trucks and humping freight about for 40 bone-crunching/soul-destroying hours a week; BELIEVE ME, working in an indie record store work was better.

Plus I can’t tell you the number of good friends I made at that store: a local cancer physician, who – due to his rather retiring nature – I’m guessing would rather remain nameless here, who has subsequently become my sister’s oncologist as she battles cancer, and whose friendship has made that entire process SO MUCH EASIER; local rocker (and current Nashville émigré) Erica Blinn, whom I met when she was in her early teens when her dad – Ace In The Hole regular Jerry Blinn, bassist of the fine, fine, superfine West Side rocker elite Black Leather Touch – brought her into Ace, where she later became an employee; and, crucially, Joe Peppercorn – leader & master songwriter of first Mrs. Children, later The Whiles, still later the mastermind & driving force of the annual Beatles Marathon, perhaps Columbus’ finest yearly musical throwdown.

I met Joe one chilly Monday morning after I had co-hosted Invisible Hits Hour – Curt Schieber’s long-running Sunday night CD 101/102.5 record review show – the night before.  Joe came into the store – all but twisting a cloth cap in his hands like a character out of some Dickens novel – and said, “Are you the guy who was on Invisible Hits Hour last night?”  (I continually plugged my employment at Ace In The Hole on the show: why waste an hour of free advertising?)  “Did you like the show?” I asked back at him.  “Yeah, it was great.” he replied.  “Then yeah, that was me,” I said, brightening.  “What were you going to say if I didn’t like the show?” Joe asked, meeting my eyes for the first time in the entire shyness-slanted conversation.  “I was gonna say it was the white-haired guy who owns the store,” I said, “the last thing I need is little assholes coming in here and berating me because I badmouthed their favorite 311 record, and I can’t walk away from ‘em, because I’m at work.”

It was the beginning of a beautiful friendship.

There’s so much more about my nine years at Ace I’d like to get into: Watershed playing a great gig in the parking lot of the store on a gorgeous Sunday afternoon back in 2002, when The More It Hurts, The More It Works was brand new, YEARS before they ever became my employers (maybe Colin will write about that separately this week); the fact that Jim Johnson – ace drummer of various Willie Phoenix bands through the years & decades – was our record distributor throughout my employment and remains in that position to this day (plus he got me my job at the store, that’s a cool story in itself); but all that has to wait for a later blog, ‘cuz here’s what you have got to know RIGHT NOW!!!!!!! 
   
Ace In The Hole is open this week and next week Tuesday through Friday 11 am-7 pm; Saturday 11am-5 pm; and Sunday March 12th from noon to 2 pm or so, whenever the traffic and the conversation run out.  Final business day is Saturday March 18th, 2017.  All used CD’s in the store are 50% off; vinyl records $6 and under are 50% off (and, you’d best believe me, there’s still a BUNCH of great, cheap vinyl left in the store, I got that Brotherhood album – offshoot band of Paul Revere & the Raiders – for 50 cents last week, among others); vinyl $7-$30 is 20% off, and vinyl over $30 (and there’s some gems in that price range still there, too) is 30% off.  You really should go in and drop some cash, you could do much worse stuff with your time and your disposable music money until the 18th. – Ricki C. / March 6th, 2017. `

National Record Store Day, April 18th, 2009: Colin plays music, future Pencilstorm movie critic Rob Braithwaite reads the paper, local singer/songwriter John Vincent watches and waits for his turn to play.....