Journey Was The Bridge Between 70's and 80's Rock - by Wal Ozello

By Contributing Pencilstorm Writer, Wal Ozello

This coming Friday night, April 7, Journey will finally earn their rightful seat in the Rock and Roll Hall of Fame.  Unfortunately, the controversy around whether or not former front man Steve Perry will be in attendance has overshadowed the importance of this band in Rock history. (Also... how about no word of all the other players including founding member Gregg Rolie?)

Much like their hometown Golden Gate Bridge spans across the bay and connects San Francisco to Sausalito, Journey effectively connected 70's Classic Rock to 80's Power Rock.  Rooted in the San Francisco sounds of bands like Santana with a thick mix of blues, rock and jazz, Journey evolved over the years with different members much like their fellow 2017 inductee: Yes.

You can still hear their classic rock roots on their earlier albums like Infinity, Evolution and even Departure. Listen to the 70's feel in the chord structure, guitar and rhythm sections in both these songs, while the 80's feel of power rock can be felt emerging from the melody and keyboards. 

Where the band begins to push the synthesizer and arena rock envelope is in their much more successful albums, Escape and Frontiers. Here in Separate Ways is a prime example of where Neal's angry hard guitar meets power synth, topped with driving drums and bass, layered with Steve's bluesy and emotional vocals. 

For all intents and purposes, Journey invented the Power Ballad with songs like Send Her My Love, Opens Arms and probably the best 80's ballad ever, Faithfully. While the piano and vocals dominate this song, it's really the pounding, massive drum fills and wailing guitar solos that really make this song stand out.

Journey never transitioned into the MTV generation well, and due to Steve Perry's personal issues (his mother passing away during the recording of Raised on Radio and a degenerative bone condition discovered after the release of Trial By Fire), the band never had the success they had in the late 70's and early 80's.  Steve had a shortlived solo career while Neal and Jonathan teamed up with John Waite from The Babies to form Bad English, then Neal went on to play in Hardline.  Journey has tried to rekindle that magic over the years and now are basically a touring band with their new singer, Arnel Pineda.

There are many reasons why Journey belongs in the Rock Hall. Don't Stop Believin' is the most downloaded song in history. All the members of the Escape/Frontier line-up are virtuosos in their own right. Steve Perry has one of the most awesome voices in rock, Neal Schon plays a killer guitar, Jonathan Cain's talent as keyboardist is only superseded by his songwriting skills, Ross Valory plays a funky rock bass and Steve Smith is a god on drums.

But the most important thing is the impact Journey has had in rock history. We'd never have 80's rock music without Journey.  Van Halen's 1984 wouldn't have been the success it was if Journey hadn't lead the way with the powerful synth-guitar formula. Bands like Aerosmith and Van Hagar could have never made their triumphant return to rock n roll without Journey opening the door to Arena Rock.  There would be no Bon Jovi, no Huey Lewis & The News, Duran Duran, David Lee Roth, and any other Hard Rock band. We would have missed out on every hard rock power ballad that was ever written. Even Prince was influenced by their work. Concerned that Purple Rain sounded too much like Faithfully, The Purple One played the song for Jonathan Cain before its release to ask for his blessing.

I'm sure there are those that would argue a world without Bon Jovi and Huey Lewis & The News would be just fine, if not better. Those are probably the people that believe Classic Rock should have never died and their dislike of Journey runs deep.

Journey nailed the classic rock coffin shut with their release of Escape and Frontiers, ushering in a new era of rock 'n' roll. I, for one, am thankful they did. Classic Rock was going to evolve and it was better for Journey to take it into the direction they did. Congrats on your induction into the Rock Hall of Fame.

A child of the 80's, Wal Ozello is the lead singer of the Columbus hairband Armada. He's the author of the science fiction time travel books Assignment 1989, Revolution 1990 and Sacrifice 2086 and a frequent customer at Colin's Coffee.

Journey Reunion: Very Bad Idea

While I've taken June off from blogging to finish my second novel, Revolution 1990, I've got to take a few minutes and share my thoughts on this whole Journey Reunion buzz that's going on.

For those of you who may have been under a rock for the past several weeks, Steve Perry (former lead singer of Journey) has made several surprise stage appearances. He's come on during the encore of a few EELS shows.  This immediately raises two questions: first, "Who are the EELS?" and second, "When's the Journey reunion?"

While I'd love to time travel back to 1985 and see Journey live on stage during their Frontiers heydays, the last thing I want is a Journey reunion and subsequent tour.

Let me be clear: a Journey Reunion is an extremely terrible idea.

Here's the thing: I want to remember them how they were.  If they perform today as Journey, they are going to sound like 60 year old guys trying to play Journey. To me, it's kind of depressing. Did you see the Ringo/McCartney reunion at the Grammys? It was pathetic. Do you want that to happen to your Journey memories?

It's been what, almost twenty years since Trial By Fire and even that was a far cry from their previous album Raised On Radio which wasn't even close to Frontiers.  Trial By Fire is proof that as a band, Journey had tapped out their hit writing abilities.

Steve Perry has certainly moved on musically since then and that's what I want to hear.  That guy has probably twenty-five years of melodies brewing in his head and I want to hear the best of them.  Most likely it's gonna be more rhythm and blues than corporate rock. Steve even said it himself, 'Well, I hadn't sung in 20 years -- I sounded more like Otis Redding than I did in Journey." That's a hint, folks. He's ready to record and sing stuff that sounds more like "Hard To Handle" than "Open Arms."

Can you imagine the album that can come from Steve Perry's mind and voice today? After decades of the music critics trashing him for being corporate rock, he could comes back and nail it with a deep soul album. That would be huge.

And a concert that follows?  Not one where he plays stadium crowds singing "The Girl Can't Help It," "Any Way You Want It," and "Don't Stop Believin'". No I'm talking one of those smaller venues as a singer in a smoky room, belting out Detroit Motown blues from Sam Cooke, Otis Redding, and Smokey Robinson.

Can you imagine Steve Perry's version of "Who's Lovin' You?" That would be awesome. That would be an evolution of Steve Perry and a departure from his Journey years. (Pun intended there, folks.)

That's what I want to hear.

Come back Steve. But don't regress, be the Steve Perry of 2014 and not the Steve Perry of 1984.

Wal Ozello is the author of Assignment 1989: The Time Travel Wars . He's a resident of Upper Arlington, Ohio and a frequent customer at Colin's Coffee.

Learn more about Wal Ozello and other Pencilstorm contributors by clicking here

Top Ten Vocalists: Part Two - Five through Two

Wow. The debate I stirred with Ten Through Six was high.  I never realized how passionate people were about their singers.  Click here if you missed Top Ten Vocalists: Part One - Ten Through Six.

Here comes Part Two - remember the rules.  These singers just aren't a distinctive voice or a sound, they have to have talent. They must be able to use their voice as an instrument.

#5 Sting. While many rock vocalists are influenced by blues, Sting did something slightly different. He brought jazz to rock n roll, creating haunting melodies that are burned into our memories. His phrasing sounds like a jazz guitar soloing over a driving rock n roll beat. There's no one like him. Two video clips here - one is him singing at Live Aid with saxophonist Bradford Marsalis. He had just left The Police at this point.  You'll be able to hear his raw jazzy rock vocals of Roxanne intertwined with counter melodies from a soprano saxophone.  Bonus track: Eddie Murphy's  rendition.

#4 Jon Anderson. Lead singer of the Prog Band, Yes, Jon has the most angelic voice in rock history.  Seriously, when I die I expect to hear Starship Trooper blasting over the speakers as I enter the pearly gates - that's how I know I've gotten into rock n roll heaven. The most amazing thing to me is that he sings these high beautiful melodies with calm and ease. I equate his melodies to a butterfly fluttering around on a warm summer morning near the ocean. As his phrase ends the butterfly finds his destination, settling on the tall grass just above the dunes, the sun glistening through it's wings.

There's lots of clips of Yes that shows off his voice, but most have about two minutes of instrumental music before the vocals hit. So here's the classic I've Seen All Good People. He's about 57 in this clip. Any other Tenor his age would be way past their prime. His voice is still magically angelic.

#3 Robert Plant This is a voice that gets you laid. Over and over and over again. Sex just oozes out of his melodies. It's rock n roll with a heavy helping of soulful blues. He can climb up a phrase with a perfect attack then gently release it with an airy bliss that melts up into the clouds. He can change up the melodies and phrasing to capture the mood of the song but still maintain his signature blues-rock style. Here's my favorite - Kashmir.

#2 Steve Perry. Love Journey or hate Journey, what's undeniable is the strength and power of Steve Perry's voice. He brings beautiful blues to corporate rock. Many tribute bands and vocalists have tried to copy him. But if you listen closely there are nuances to his phrasing and melodies than make it almost impossible to duplicate.  Be it an extra breathe here or there, or a few grace notes that lead into the power note, or parts of the phrase that build up into a climax - Steve knows how to use his voice as an instrument. A typical singer with his range just hits the high notes and wails away (e.g. Dio, Brian Delp from Boston, Rik Emmett, Dennis DeYoung, the Bee Gees), instead Steve finesses the note, plays with it, and makes it his own.  Take a listen to this bonus track from Frontiers, a song called Liberty. It marries his bluesy phrasing that grows into his power pop, then releases it - letting it subside back into a blues phrase.

Want to know who number one is?  You'll have to check back in a few days to find out.

Wal Ozello is the author of Assignment 1989: The Time Travel Wars and was the lead singer of the Columbus hairband Armada. He's a resident of Upper Arlington, Ohio and a frequent customer at Colin's Coffee.

Learn more about Wal Ozello and other Pencilstorm contributors by clicking here